I really think it is possible that our grandchildren will look at us in wonder and say, "You mean you used to listen to exactly the same thing over and over again?"Įach of the twelve pieces on Generative Music 1 has a distinctive character. Like recorded music it is free of time-and-place limitations - you can hear it when and where you want. Generative music enjoys some of the benefits of both its ancestors. Then came the gramophone record, which captured particular performances and made it possible to hear them identically over and over again.īut now there are three alternatives: live music, recorded music and generative music. Until 100 years ago, every musical event was unique: music was ephemeral and unrepeatable and even classical scoring couldn't guarantee precise duplication. The works I have made with this system symbolize to me the beginning of a new era of music. Koan Software is probably the best of these systems, allowing a composer to control not one but one hundred and fifty musical and sonic parameters within which the computer then improvises (as wind improvises the wind chimes). Recently, however, out of the union of synthesisers and computers, some much finer tools have evolved. Wind chimes are an example, but the only compositional control you have over the music they produce is in the original choice of notes that the chimes will sound. Some very basic forms of generative music have existed for a long time, but as marginal curiosities. Eno's early relationship with Koan was captured in his 1996 diary A Year with Swollen Appendices. This release featured a floppy disk containing the SSEYO Koan Plus player and a set of 12 Koan generative-music pieces that he authored. He began creating pieces with Koan Pro, collecting and publishing them in his 1996 work "Generative Music 1 with SSEYO Koan Software". Later that year, SSEYO brought Koan to the attention of Brian Eno, who quickly showed great interest in the product. Distributed by Koch Media, the first edition of Koan was publicly released in 1994, followed by the Koan Pro authoring tool in 1995. or SKME), a set of authoring tools (SSEYO Koan Pro and SSEYO Koan X), a set of stand-alone Koan Music players (SSEYO Koan Plus, SSEYO Koan File Player and SSEYO Koan Album Player), and a plug-in for internet browsers such as Internet Explorer and Netscape.ĭevelopment of the Koan engine started in 1990, when SSEYO was founded, and by 1992, the first version entered beta testing. The SSEYO Koan Interactive Audio Platform (SKIAP) consisted of the core Koan generative music engine (the SSEYO Koan Generative Music Engine. The Koan technology is now owned by Intermorphic Limited, co-founded by the Cole brothers in 2007. Koan is a generative music engine created by SSEYO, a company founded by Pete Cole and Tim Cole. ( October 2018) ( Learn how and when to remove this template message) Please help to improve this article by introducing more precise citations. This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations.
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